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Mechanical cleaning was performed on the wall paintings, reintegration of the plaster layer, filling of lacunae and cracks with sand-lime plaster, reintegration of the painted layer, retouching, photo documentation and conservation-restoration report were made.
Performed conservation and restoration procedures on wall paintings: dry cleaning, consolidation of plaster, injection of wall painting, fixing of the painted layer, repair of cracks, plastering, desalination, treatment of microorganisms, reintegration of the painted layer, retouching, creation of photo documentation and reports.
Performed conservation – restoration research works on walls, wall paintings and paintings on glazed tiles. Detailed primary, physical and chemical investigations of materials in the interior and exterior of the building were carried out. An elaboration, guidelines for further conservation and restoration interventions and a cost list were prepared.
Completed removal of recent cement and dilapidated plaster of the parapet, plastering with new lime plaster, treatment of the wall with appropriate coatings against moisture and salt during the plastering phase, conservation of the original composition of the parapet, restitution of the stencil painting of the parapet, mechanical and chemical cleaning of the pillars, consolidation of the stone carrier of the parapet of the wall and pillars, reconstruction of missing parts of the profiled stone carrier, gilding of parts of the profiled column, installation of a system to prevent capillary moisture, creation of photo documentation and reports.
Performed conservation and restoration investigation work on the exterior and interior of the building, as well as the creation of a conservation and restoration report.
Performed conservation-restoration works on the walls and ceiling, opening probes, consolidating paintings, grouting, anchoring the ceiling, smoothing and processing, impregnation of new fillings, reintegration of the painted layer of the original, restitution of paintings, retouching, photo documentation and preparation of reports.
Completed removal of recent cement and dilapidated plaster of the parapet, plastering with new lime plaster, treatment of the wall with appropriate coatings against moisture and salt during the plastering phase, conservation of the original composition of the parapet, restitution of the stencil painting of the parapet, mechanical and chemical cleaning of the pillars, consolidation of the stone carrier of the parapet of the wall and pillars, reconstruction of missing parts of the profiled stone carrier, gilding of parts of the profiled column, installation of a system to prevent capillary moisture, creation of photo documentation and reports.
Performed conservation and restoration work on the painting on the vault and walls of the church – painting consolidation, mechanical cleaning, injection, repair of cracks, plastering, smoothing and processing, impregnation of new fillings, reintegration of the painted layer of the original, creation of stencils, restitution of paintings, retouching, creation of new marbling , photo-documentation and elaboration.
Performed conservation and restoration work in the interior on wall paintings and capitals: mechanical cleaning, removal of inadequate old patches, bordering the edge of the wall painting with lime-sand plaster, injecting the wall painting, filling lacunae with lime-sand plaster, repair of cracks, reintegration of the painted layer of the original, production stencils, mixing tones, reconstruction of decorative painting, retouching, conservation – restoration of original capitals, reconstruction of missing capitals, photo documentation and preparation of reports.
Conservation and restoration work on the plastered capitals of the pilasters inside the church. Mechanical and chemical removal of layers of paint and recent gilding to the original form, demodulation of missing parts and retouching of minor damages, installation of metal shavings, patination and varnishing, and preparation of reports and photo documentation.
Odrađeni su preventivni konzervatorsko-restauratorski zahvati na fragmentima oslika: obrubljivanje vapnenom žbukom, saniranje pukotina, podljepljivanje većih pukotina preko japan papira, izrada zaštitnih kutija koje štite oslik tijekom građevinskih radova, izrada fotodokumentacije i izvještaja.
The conservation and restoration research works of sounding on the walls have been carried out. An FT-IR analysis of the composition of the plaster and the concentration of soluble salt ions was performed. A report was drawn up with guidelines for further conservation and restoration interventions.
Mechanical removal of dirt, consolidation of wall painting and plaster, removal of microorganisms from the wall, removal of inadequate old patches, filling of lacunae with lime-sand plaster, preparation of reports and photo documentation.
Conservation and restoration research works were carried out on the walls and ceiling, and the sounding results were processed. Graphic documentation, photo documentation and a report with guidelines for further conservation and restoration work were created.
Conservation-restoration investigative works on the exterior and interior were carried out, construction and restoration probes were opened, an elaboration was made with conservation-restoration guidelines.
Performed conservation and restoration research works on the walls and ceiling. Graphic documentation, photo documentation and a report with guidelines for further conservation and restoration work were created.
Conservation-restoration investigation work on the walls and vault of the interior of the refectory, stratigraphic sounding, report and photo documentation, draft plan and program of conservation-restoration works.
The exposed part of the wall painting was mechanically cleaned and the remaining lime and other coatings were removed; removal of inadequate old restoration patches, reintegration of the plastered layer, filling of voids with lime sand plaster, reintegration of the painted layer, applying the basic and medium tone and highlighting light and dark details, making photo documentation, making a conservation-restoration report.
Conservation and restoration investigations were carried out on the exterior and interior of the church, as well as an elaboration and cost estimate for further conservation and restoration operations.
Performed conservation and restoration investigations in the interior of the church, sounding of walls, photo documentation and preparation of reports.
Conservation-restoration research sounding works were carried out on the facade of the building. The tone was defined using a tone map, graphic documentation, photo documentation and a report with guidelines were created. The wall painting on the facade was consolidated, injected, the gaps were plastered and the new fillings were tonally uniform.
Performed conservation and restoration investigations of the building’s exterior and interior, opened construction and restoration probes, created graphic documentation, defined tones using a tone map, created guidelines, photo documentation and a report.
Performed conservation and restoration investigations of the exterior and interior, as well as conservation and restoration procedures for the rehabilitation and reconstruction of damaged balcony ceilings/consoles of the hotel, photo documentation and preparation of reports.
Performed conservation and restoration investigations, sounding of the walls and vault of the church, preparation of reports and photo documentation
Wall paintings: consolidation of plaster, injection of cracks, removal of subsequent coating, filling of damage with lime-sand plaster, retouching, reconstruction of paintings, photo documentation;
Baroque rooms of the Great Court of the Eltz castle complex: reintegration of the vault, establishment of artistic and aesthetic integrity with glazes, retouch.
Wall paintings: mechanical cleaning and removal of the oil layer, consolidation of plaster, filling of gaps with lime-sand plaster, application of lime screed, reconstruction of paintings in the lower zone, retouching.
Wall paintings: reconstruction of wall and ceiling paintings by making templates and drawing lines.
Research works on the facades of buildings, creation of reconstruction of the original appearance based on research results, creation of photo documentation.
Research works on the facade of the chapel, reconstruction of development changes and original appearance based on research results, creation of photo documentation.
Sounding of layers of plaster and plaster, sounding of carpentry, metal elements and stucco decoration in order to determine the original layer of plaster, sampling of plaster and paint for laboratory analysis, creation of microsections, creation of work documentation and photo documentation.
Research works on the main facade of the Nayer house, reconstruction of the original appearance and coloring based on the research results, creation of working conservation – restoration documentation and photo documentation.
Wall plasters: pre-consolidation of plastered and painted layers, consolidation of plastered layers by injection, removal of subsequent plastered and painted layers, removal of surface dirt and accumulated impurities, reintegration of plastered layer, reintegration of painted layer, creation of graphic and photographic documentation.
Wall paintings in the atrium of the theater: cleaning and consolidation of the discovered original painting, consolidation of plaster, filling of lacunae and damage, covering of the original painting with a protective layer, reconstruction of the painted layer, retouching, creation of photo documentation.
Wall paintings: reintegration of the plaster layer, removal of inadequate plaster compensations, plastering of gaps, reintegration of the painted layer: application of the base tone and retouch.
Wall paintings: preparation of the final layer for reconstructive retouch, reconstructive retouch in the apsidal part, conservation intervention on the triumphal arch, reconstructive interventions on the walls of the nave of the church, application of decorative elements, installation of protective layers, preparation of reports and photo documentation.
Performed conservation and restoration work on ceiling paintings and stucco in the foyer, mechanical and chemical cleaning of stucco and paintings, injection and repair of cracks and lacunae, supporting and gluing of separate stucco, retouching and reconstruction of the painted layer.
Mosaic: transport and restoration of reconstructed fragments of mosaics and original mosaics after conservation and restoration work in the workshop, in situ cleaning of mosaics, treatment of microorganisms, installation of new plaster, lowering of mosaics, grouting, edging, removal of gauze, retouching, grouting of mosaics.
Performed conservation and restoration work on the walls in the interior of the church, removal of subsequent layers of plaster and plaster and consolidation of plaster layers, grouting, edging, reintegration of plaster layers, plastering, cleaning of wall paintings, toning of lacunae, photo documentation and preparation of reports.
Gravel conservation – restoration works on the walls and ceiling of the second floor of the Califfi Palace, opening of probes, mechanical and chemical cleaning of probes, removal of subsequent facings, removal of cement patches, plastering, preventive protection of wall paintings, consolidation, grouting, photo documentation and preparation of reports.
Performed conservation and restoration work on the wall paintings in the interior of the church, preventive protection of the wall paintings, consolidation, injection, mechanical and chemical cleaning, photo documentation and preparation of reports.
Wall paintings: creation of stencils: measuring and cutting the copied stencil painting on transparent film, mixing tones and harmonizing with the original, painting the new plastered surface with the basic tone, reconstructing the stencil painting on new plaster, retouching damaged parts of the original painting, making photo documentation and conservation – restoration report .
Performed conservation and restoration work on easel oil paintings, preliminary interventions to stabilize the most vulnerable parts of the painting and preventive gluing-facing of the painted layer, and conservation and restoration investigative work on the easel painting, cleaning tests and chemical removal of varnish.
Under the leadership of B.Sc. rest. Dagmar Dammann, conservation and restoration works were carried out on the Roman wall paintings inside the thermal baths, mechanical cleaning, consolidation of plaster, plastering of wall painting fragments with lime-sand plaster, injection, fixing of paintings, treatment of microorganisms, creation of graphic documentation, creation of photo documentation.
trade for conservation – restoration services
